A Bittersweet Harvest from Gillian Welch

Gillian Welch is renowned for two things — being one of the best singer-songwriters in music, and not being nearly prolific enough.

Eight years since their last release, Soul Journey, which had the Bob Dylan-esque audacity to feature an electric guitar in their previously all-acoustic sound, comes The Harrow and The Harvest, a return to Welch and David Rawlings’ darker, melodic roots.

As the title suggests, there’s a pastoral gothic at work here, and the instruments used, that include banjo, hands and feet show they have stripped the music back to it’s almost barest bones.

There is an indescribable familiarity about Gillian Welch’s music. It’s like nothing you’ve heard before, and everything you know.

Rooted in bluegrass and Appalachian styles, there is something fascinating and beguiling about The Harrow and The Harvest.

It’s shot through with a folk memory of songs long forgotten but that are still in your ears, and their shapes come into focus quickly after only a few bars.

It’s not even country music, it’s something more than that. It’s soul music, in the purest sense of that phrase.

The songs speak of scarlet and daggers, and, within the shadows of the music, there’s the feeling that there is something ready to reap what has been sown in the lives and loves of the characters in the songs.

This isn’t a great record, it’s an essential one. There’s the essential force of life and death within, and there’s very few records you can say that about.